Do I want to be a model
Despite the glamour and hype you have seen about the modeling profession, it’s hard work. It’s boring (sometimes) and it can be tedious. Prepared to be constantly rejected, get ready for some major ups and downs. Modelling is a lifestyle, not an 9-5 job. Not all jobs pay well. Unless you are seriously committed about modeling, willing to work at it on your own time, live a healthy life style, etc., you will not succeed as a model.
You have to understand that there are lots of other people who want to be models, it’s a very competitive business. Are you willing to put the time and energy into competing with pretty much everyone you meet, 24 hrs a day?
Where do I start
You’ll need a modeling portfolio, I’m sure you’ll all know what one of those is but for those that don’t it’s basically a selection of pictures showing yourself in different outfits and poses. The standard size for the photos is 9 by 12 inches and you’ll need around 10 – 12 photos. Make sure you focus on quality rather than quantity, remember, you’re only as good as your worst photo. Make sure your portfolio has a selection of both head shots and full body shots. Make sure you get a variety of different looks such as swimwear, catalogue and lingerie, you get the idea, also get a couple of black and white shots in there. Avoid using pictures of the same shot.

It can be very advantageous to have photographs from different photographers in a portfolio. This will show the versatility in terms of styles and it will prove that a model can work with a variety of different people. Obviously, the cost of hiring different photographers for a portfolio is prohibitive, but there are many excellent photographers out there who will do prints for time – and of course many more bad ones. If you research what’s on offer well, it can be an excellent alternative.
Before going ahead with a photo session ask to look at the photographers portfolio to see if you like his style of photography. No doubt if you go to the photographers studio to book the appointment he will have examples of his work on display anyway. If you’ve never done modelling before this will also be an excellent practice run for you. Avoid photographers wanting to take nude shots, if possible take a friend with you to the shoot.

The Comp Card
You’ll definately need one of these. A comp card is what your modelling agency will use to market you.
What is a comp card? A composite card (sometimes called a ZED) is a model’s business card. In most cases, your comp card is your one and only opportunity to make a good first impression. With that in mind it is important that the images on your card are your absolute best and nothing less. Additionally, the printing and reproduction quality is extremely important. Poor reproduction makes your images look bad and as a result – makes you look bad. Besides a great head-shot, the comp card will have other photos that show your experience, your versatility, range, and what type of work you are seeking. For best results all of the photos should be the highest quality you can obtain at your stage in your modeling career. Make sure the you have them printed on rigid card that will withstand a bit of wear and tear.

Be careful! Do NOT have a modeling agency print your comp card. If you do – they will put their logo on it. You are going to want to sign with as many agencies as possible if you are serious about getting work. Comp card printing can get expensive – print them yourself and give each agency copies – they have stickers that they can put on them with their contact information and you will save money.

The Agency
An agency or co-ordinator should represent models. The model must have a portfolio, and comp cards. The agency/coordinator provides you with work (That is their main purpose. It is safe to say that they work for you!) They make a commission on your fee.

GOLDEN RULE – Don’t go with an agency who asks for money up front! You’ll probably never hear from them again and I ceratainly doubt you’ll ever get any work from them.

Also check to see if they are reputable and genuine. The agency/coordinator provides you with a safe working environment and looks after legalities of the paper work for the job. They provide their clients with “Professional” models. Keep copies of all-important papers, such as contracts etc. You may need these if you have a dispute with the agency/coordinator. It is wise to choose the agency/coordinator carefully so you can stay with that them.
How do I approach an agency?
The oldest way to go about it is to visit them. Book an appointment ahead of time by phone. Bring at least 2 pictures. They don’t have to be professional pictures. A head shot, natural and clear. Also a full length shot that somewhat reveals your figure, a clingy dress , swimsuit, figure flattering clothes or other tight fittings garments should be worn. Forget about baggy clothes! It will tip off viewers that you have something to hide. Ask lots of questions. A sk to see what work their models are currently doing? Ask for names and phone number of clients and call them to verify the information, be concerned if they promise you work right away or promise you high salaries. If they don’t allow you time to think about it or if they use pressure techniques to sign the contract, be concerned. They should not ask for money up-front for classes or training. Be concerned if the they claim to be looking for ordinary people. Reputed agencies/coordinators might have open interviews during the week, give them a call and find out.

Our Top Ten Modeling tips
1. Always be on time, if you cannot, be let the Photographer know. Punctuality is very important.”safety tip”: If you are not taking anyone with you to the shoot, let someone know where you are and with whom. And be sure to tell the photographer that someone knows where you are.2. Always go prepared : ie…clothing changes that you know will fit you. Don’t always think that he/she will have everything that is needed for the shoot.

3. Always take your own make-up; even if he/she has told you there will be a make-up artist there. Always think of the could be’s.

4. Get references, as many as you can. That would include other models and/or assignments that the photographer has had. Check and double check. And be sure that a legitimate photographer is doing the same with you. Never take anything for granted.

5. Get phone numbers and addresses if possible, if he/she is hesitant. You might want to rethink the shoot.

6. Make sure that you know exactly what the shoot consists of, and never feel pressured to do anything that you do not feel comfortable doing. If nothing else, go by your gut feeling.

7. Always take along enough “cash” for cab fare etc. In case the photographer cannot provide adequate transportation. Most will, but always be prepared for the “just in case”.

8. Keep in mind that modeling is a business, not a personal venture. You need to be prepared to negotiate with prospective employers, regarding everything from pay to content. Don’t just drop out of contact because you don’t like what’s offered – either negotiate or say, “Thanks, but no thanks.” You never know, the employer you turn down could well have your dream job later – and if you treat him or her rudely or with disrespect, you’ll likely miss out.

9. Don’t ever do anything that you might be sorry for later. What you do today can affect your carreer later down the road. “If you pose for a photo that you cannot show your family and friends, and be proud of it, it wasn’t worth doing”. Mainly YOU should be proud of it.

10. If you have a verbal or signed agreement on traveling expenses etc. Make sure that it is followed up on. Written is sometimes the best.

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It’s a common misconception that naturally beautiful models take naturally beautiful photographs. The truth is—without modeling poses and modeling tips, perfect photographs are harder than you think.

If you are a professional model, a photographer will most likely guide you through a variety of model poses throughout the photo shoot. But if you are an inspiring model and are still working your way up to the top—you may have to control your poses to ensure great headshots and sample modeling photographs.

Live show models, promo models, photographic models, and runway models all rely on professional model poses to succeed. Whether you aspire to appear in print magazines or fashion shows and Hollywood movies; if you want to be a model, pay special attention to this insider guide to modeling poses.

Breathe
Although sometimes concentration enhances a good photograph, obvious concentration can distract and often ruin a good photograph as well. Do not hold your breath for a modeling pose; always remember to breathe and appear at ease.

Posture
Bad posture is an unrecognized flaw in many people. However, for models, posture is a harmful flaw. Always remember to keep your back straight and your shoulders up. Slouching affects the mood of the photograph and enlarges the appearances of your stomach. In addition to your back and shoulders, always remember to flex your stomach muscles. Despite your weight or state of shape, your abdomen will appear more toned if you flex.

Limbs
Symmetry is officially out in the modeling world. When posing, make sure to differentiate your arms and legs with asymmetrical poses. If you have one arm long and straight by your side, make sure the other arm is bent. Whether a big or small angle, the bend will make the modeling pose look more real, less artificial. Continue the asymmetry to your legs. If one leg is locked straight, give the other leg a casual bend.

Camera
Although the camera is the ultimate focal point of a modeling photo shoot, great models do not look directly into the camera. To enhance the quality of your photo shoot, look away from the camera with a mix of head and eye poses. Looking off to the right or left side, or tiling your neck to either side can help you avoid direct eye contact with the camera. In many cases, your head and neck can remain stationary in your modeling pose—and your eyes can do all the work. Head and eye positions, coupled with personable facial expressions make for great model poses.

Sitting Poses
If you are sitting down during your photo shoot—don’t think it’s ok to slack off. In fact, sitting photo shoots require a lot of extra work. If you are sitting down or reclining, it’s important to put your eight on the back of one thigh, rather than distributing your weight equally on both thighs. If you roll one hip up from the ground or surface, shifting your weight will be simple. This pose results in a slimming effect that you don’t want to miss out on.

Cleavage
To make sure your best assets shine, there are a few basic guidelines to follow. Based on two distinct poses, a forward lean and a backward lean, any model with any breast size can maximize cleavage. When leaning forward, either bring your arms together at your waist, keep your arms straight at the elbows and clasp your hands together below your waist, or simply cross your arms. When leaning backward, raise your arms about your shoulders and head, keep your arms apart, and always slouch for the best cleavage results.

Smile
If you have a naturally beautiful smile—show your pearly whites with pride, just not every time. If you smile in each modeling pose, modeling agents will notice your lack of versatility, not your smile. To add variety to your modeling poses, try switching up your smile with a cute frown, a bratty bout, a friendly laugh, or even an edgy scowl. Your facial expressions can make or break your modeling poses. Let your smile show, but make sure to show what else you can do.

In addition to these personalized tips for modeling poses, every model should be aware of the basics of posing. There are 4 main types of model poses: lifestyle pose, movement pose, portrait pose, and body pose.

Lifestyle
The lifestyle pose evokes a sense of everyday living with common body movements and facial expressions. Throughout the day, moments of happiness, love, anger, and hope arise. To succeed at the lifestyle pose, each model must be able to recreate these everyday emotions.

Movement
The movement pose captures a specific action, such as running or jumping. Because this pose is most often used for a marketing photo shoot—the model is used to promote a product. Each model must be able to smile and laugh when using the products in the photo shoot.

Portrait
This modeling pose emphasizes the face of the model—and relies purely on facial features. The model will be in modest makeup and relaxed hair and should pose with a casual, genuine smile. Many portrait photographs are close up and emphasize details of the model’s face. If you are scheduled for a portrait photo shoot, make sure to pay extra attention to your skin and drink at least 8-12 glasses of water a day.

Body
Full-length photographs require body poses. Models are encouraged to shift weight between hips and make arms and lengths into asymmetrical stances. Although many body poses do not require specific facial expressions, putting your entire body into character during full-length poses helps your body find a natural balance.

Keep these insider model posing tips in mind during your next professional model photo shoot to ensure you blow the photographer away. Whether you’re a trained expert or an ambitious beginner, all models have the ability to excel in photo shoots. Focus on your posture, attitude, and facial expressions to succeed beyond your wildest expectations.

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